Askell Másson, Percussion
The works of Áskell Másson (*) stand out for their depth of expression and brilliance of sound. A freelance composer since the early eighties, his music for percussion already in the seventies was gaining international attention for originality and unusual approach. Másson, Áskell |
With a varied background as a woodwind player and percussionist, he was appointed composer and instrumentalist of the Ballet of the National Theatre in Reykjavik in l and in his early tventies he worked considerably in the theatre though always composing concert music.
Áskell Másson (1953) | Editions Bim & The Brass Press
Read the full biography of Askell Masson, including facts, birthday, life story, profession, family and more. Performed by Adam Tan Kim is a fantastic snare drum solo that explores continuity within macro structures of the. The works of Áskell Másson (*1953) stand out for their depth of expression and brilliance of sound. A freelance composer since the early eighties, his music for percussion already in the seventies was gaining international attention for originality and unusual approach.
The islandic composer Askell Masson wrote this concerto for Christian Lindberg in but later revised it in It is a real showpiece for. With a varied background as a woodwind player and percussionist, he was appointed composer and instrumentalist of the Ballet of the National Theatre in Reykjavik in l973 and in his early tventies he worked considerably in the theatre though always composing concert music.
His brilliant career began at Reading University where he graduated with honours in History and got a scholarship to study for an MA in Subscribe to Quadrant. Read the full biography of Askell Masson, including facts, birthday, life story, profession, family and more.
Biography of Askell Masson Másson, Áskell, Icelandic composer; b. Reykjaviik, Nov. 21, 1953. He began clarinet lessons at the age of 8. After training at the Reykjavik Coll. of Music, he went to London and studied with Patrick Savill (harmony and counterpoint) and James Blades (percussion).Askell Másson, Home Áskell Másson (b. 1953) is amongst Iceland´s leading composers. He commenced his musical studies on the clarinet in 1961 and later studied percussion at the Reykjavik College of Music and privately in London with James Blades.Másson, Áskell | Icelandic composer Áskell Másson invites us on a musical voyage in his "langskip" (the magnificent longship of the Viking conquerors). Secret destinations aboard a frail craft, braving the storms of sound from which ring out, against a background of water, wind and creaking of ancient timbers, the drums and songs of life in our own time. Áskell Másson | Icelandic Music Information Centre - IMIC
Icelandic composer Áskell Másson invites us on a musical voyage in his "langskip" (the magnificent longship of the Viking conquerors). Secret destinations aboard a frail craft, braving the storms of sound from which ring out, against a background of water, wind and creaking of ancient timbers, the drums and songs of life in our own time. Orchestral music - Askell Másson
Másson, Áskell, Icelandic composer; b. Reykjaviik, Nov. 21, He began clarinet lessons at the age of 8. After training at the Reykjavik Coll. of Music, he went to London and studied with Patrick Savill (harmony and counterpoint) and James Blades (percussion). Askell Másson, Prim for snare drum solo
Áskell Másson (b. ) is amongst Iceland´s leading composers. He commenced his musical studies on the clarinet in and later studied percussion at the Reykjavik College of Music and privately in London with James Blades.
Biography of Askell Masson
The works of Áskell Másson (*) stand out for their depth of expression and brilliance of sound. A freelance composer since the early eighties, his music for percussion already in the seventies was gaining international attention for originality and unusual approach. Áskell Másson (1953) | Editions Bim & The Brass Press
With a varied background as a woodwind player and percussionist, he was appointed composer and instrumentalist of the Ballet of the National Theatre in Reykjavik in l and in his early tventies he worked considerably in the theatre though always composing concert music.